In my art, I weave monochrome worlds, a fusion of scenery and memories. My creative process is marked by a meticulous, almost compulsive repetition, a ritual of craftsmanship and dedication. It is grounded in intuition, with the precision of a printer's hand.
Moreover, I blend materials' innate qualities with skill to create a harmonious visual language. It is a continuous exploration of self, fusing abstraction with memories.

 

My journey is one of constant self-reflection, an ongoing exploration of the Textiles, patterns, and landscapes, and an expend to unite the abstract and the nostalgic in a unique, compelling synthesis of memory and artistry. Drawing plays a pivotal role in my practice, representing the essence of human creativity and the connection we have with the natural world. Throughout monochromatic expressions, I strip away the distractions of color, inviting contemplation and a profound exploration of the essence of our surface.

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Ways of seeing, a lot of my work explores this notion of What we consider truth depends on how you look at it, for me, becomes an act of preservation, recording the intricate intricacies of perspective by surroundings. The subjective nature of visual experience urges us to interrogate our own perspectives and engage critically with the images that surround us (Berger, 1972). By cultivating self-awareness and contextualizing interpretation, we can begin to unravel the complexities of visual representation and develop a deeper understanding of the world around us.